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Pulphead

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John Jeremiah Sullivan's 'Pulphead' is an eclectic collection of essays that engage readers with a mix of personal experiences and insightful observations on various subjects such as music, pop culture, historical figures, and peculiar events. Sullivan's writing style combines humor, empathy, and a deep curiosity that allows him to bring to life even the most mundane topics like Christian rock festivals or forgotten explorers in a captivating manner. The book showcases Sullivan's ability to make seemingly uninteresting subjects intriguing through his engaging storytelling and personal involvement in each essay.

Characters:

The characters are varied, often including the author himself alongside figures from music, culture, and everyday life, showcasing their unique stories and characteristics.

Writing/Prose:

The writing style is characterized by a conversational tone, blending introspective reflections and humor, which creates an engaging reading experience.

Plot/Storyline:

The narrative consists of diverse essays that engage with topics ranging from music and culture to personal reflections, showcasing the author's interactions with unique individuals and communities.

Setting:

The settings range widely, encompassing various contemporary locations such as music festivals and caves, as well as cultural landmarks that tie into the topics at hand.

Pacing:

The pacing of the essays varies, with some being fast-paced and captivating, while others may feel slower or less engaging.
It is wrong to boast, but in the beginning, my plan was perfect. I was assigned to cover the Cross-Over Festival in Lake of the Ozarks, Missouri, three days of the top Christian bands and their backer...

Notes:

John Jeremiah Sullivan is a contributing writer to The New York Times Magazine.
Pulphead includes a commentary on Christian culture at a festival in Missouri.
Sullivan recruited teens and tweens to travel with him to get honest material for his essay about the Christian rock festival.
His favorite essay is about Creation Fest, highlighting the youth culture of Christian rock.
Sullivan discusses the separation between talented musicians and mainstream Christian rock.
He reflects on his personal faith and how it differs from organized Christianity.
One essay reassesses Michael Jackson's legacy and the misconceptions about him.
Sullivan's writing blends humor and deep reflection on cultural topics.
The collection includes essays about diverse subjects like Hurricane Katrina and reality TV.
Some essays are highly praised while others received mixed reviews, highlighting the book's unevenness.

From The Publisher:

Named A Best Book of 2011 by the New York Times, Time Magazine, the Boston Globe and Entertainment Weekly

A sharp-eyed, uniquely humane tour of America's cultural landscape-from high to low to lower than low-by the award-winning young star of the literary nonfiction world.

In Pulphead, John Jeremiah Sullivan takes us on an exhilarating tour of our popular, unpopular, and at times completely forgotten culture. Simultaneously channeling the gonzo energy of Hunter S. Thompson and the wit and insight of Joan Didion, Sullivan shows us-with a laidback, erudite Southern charm that's all his own-how we really (no, really) live now.

In his native Kentucky, Sullivan introduces us to Constantine Rafinesque, a nineteenth-century polymath genius who concocted a dense, fantastical prehistory of the New World. Back in modern times, Sullivan takes us to the Ozarks for a Christian rock festival; to Florida to meet the alumni and straggling refugees of MTV's Real World, who've generated their own self-perpetuating economy of minor celebrity; and all across the South on the trail of the blues. He takes us to Indiana to investigate the formative years of Michael Jackson and Axl Rose and then to the Gulf Coast in the wake of Katrina-and back again as its residents confront the BP oil spill.

Gradually, a unifying narrative emerges, a story about this country that we've never heard told this way. It's like a fun-house hall-of-mirrors tour: Sullivan shows us who we are in ways we've never imagined to be true. Of course we don't know whether to laugh or cry when faced with this reflection-it's our inevitable sob-guffaws that attest to the power of Sullivan's work.

Ratings (2)

Loved It (1)
It Was OK (1)

Reader Stats (5):

Read It (2)
Want To Read (1)
Not Interested (2)

1 comment(s)

It Was OK
6 months

Highs are high but some of it was kinda meh. Worth reading though because some of these essays are great.

 

About the Author:

John Jeremiah Sullivan is a contributing writer for The New York Times Magazine and the southern editor of The Paris Review. He writes for GQ, Harper's Magazine, and Oxford American, and is the author of Blood Horses. Sullivan lives in Wilmington, North Carolina.

 
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