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Stony the Road: Reconstruction, White Supremacy, and the Rise of Jim Crow

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"Stony the Road: Reconstruction, White Supremacy, and the Rise of Jim Crow" by Henry Louis Gates Jr. delves into the post-Civil War era in the United States, focusing on the struggles faced by African Americans for equality amidst the violent counter-revolution that aimed to subjugate them. Through a war of images and ideas, Gates illustrates the enduring racist stain on the American psyche, portraying how African Americans have fought against white supremacist and racist acts to secure their rights and humanity. examines the failure of Reconstruction in the South, the impact of Jim Crow laws, and the systematic oppression faced by African Americans in the quest for equality.

Writing/Prose:

The writing style blends scholarly rigor with engaging narratives and imagery to convey complex historical realities.

Plot/Storyline:

The narrative centers on the failure of Reconstruction and the enduring legacy of white supremacy, illustrating how these issues shaped the social and political landscape from the late 19th century onward.

Setting:

The setting spans the late 19th to early 20th century, primarily in the Southern United States, highlighting the racial tensions that defined the era.

Pacing:

The pacing often leans towards a dense presentation of information, which might overwhelm some readers.
The writing of this book was occasioned by a documentary film series that I was producing for PBS concerning the period after the Civil War known as Reconstruction (1865–1877)—when the United States, ...

Notes:

Reconstruction occurred from 1865 to 1877, allowing former slaves to gain rights and political power.
The 13th, 14th, and 15th Amendments aimed to protect the rights of freed people.
After the 1877 presidential election, federal oversight in the South ended, leading to disenfranchisement of black voters.
Jim Crow laws enforced racial segregation in public spaces starting in the late 1870s.
The Lost Cause narrative falsely claimed the Civil War was not about slavery and romanticized the Confederate cause.
Racial stereotypes were reinforced through literature, media, and the arts, depicting blacks negatively.
The era saw pseudo-scientific claims justifying racial hierarchies, including ideas from phrenology and distorted Darwinism.
Black intellectuals like Booker T. Washington and W.E.B. Du Bois sought to redefine the image of African Americans in society.
The Harlem Renaissance was a cultural movement that showcased black talent and defiance against stereotypes.
Lynchings and KKK violence were tools to maintain white supremacy and instill fear among black communities.

Sensitive Topics/Content Warnings

Content warnings include discussions of racism, violence, lynching, and systemic oppression.

From The Publisher:

The abolition of slavery after the Civil War is a familiar story, as is the civil rights revolution that transformed the nation after World War II. But the century in between remains a mystery: if emancipation sparked 'a new birth of freedom' in Lincoln's America, why was it necessary to march in Martin Luther King, Jr.'s America?

Gates uncovers the roots of structural racism in our own time, while showing how African-Americans after slavery combatted it by articulating a vision of a 'New Negro' to force the nation to recognise their humanity and unique contributions to the United States.

 
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