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The Red Tree

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The Red Tree by Caitlin R. Kiernan is a psychological horror novel that follows writer Sarah Crowe as she moves to a small town in Rhode Island and gets entangled in eerie events surrounding an ancient red oak. The story unfolds through Sarah's journal, blending personal traumas with mysterious occurrences, creating a sense of psychological horror. Kiernan's writing style incorporates elements of Lovecraftian horror, with an unreliable narrator and a focus on the psychological aspects of fear and dread.

Characters:

The characters are complex and flawed, particularly the main character who struggles with her past and her mental health.

Writing/Prose:

The writing style is intricate and layered, often employing an epistolary structure that interweaves multiple narratives while incorporating numerous literary references.

Plot/Storyline:

The plot centers on an author's descent into madness as she researches a mysterious tree and uncovers its dark history while grappling with her personal issues.

Setting:

The setting is integral, featuring a haunting New England farmhouse that enhances the novel's atmospheric dread.

Pacing:

The pacing is deliberate, starting slowly but ultimately building tension as the story progresses.
I’m almost awake now, starting in on my second cup of coffee, sitting here at the kitchen table, and writing this in the spiral-bound notebook I purchased down in Coventry, a little over a week ago. I...

Notes:

The main character, Sarah Crowe, is a lesbian author dealing with grief and writer's block.
The story takes place in a secluded Rhode Island farmhouse with a dark history.
Sarah discovers an unfinished manuscript by a previous occupant who hanged himself tied to a sinister tree.
The novel is heavily inspired by New England gothic literature, including references to authors like Lovecraft and Shirley Jackson.
The narrative structure involves multiple layers, including diary entries and transcripts from another manuscript.
Sarah has health issues including epilepsy, which complicate her mental state throughout the story.
The book explores themes of obsession, madness, and the supernatural.
Many readers found the pacing slow initially but rewarding with a creeping horror that builds slowly.
The cover art of the book is frequently criticized for not reflecting the book's content, misleading readers about its themes.
The ending is ambiguous, leaving readers questioning what was real and what was not.
There are significant references to folklore and horror traditions in the writing, making it rich in literary allusions.

Sensitive Topics/Content Warnings

Content warnings include depictions of mental illness, suicide, explicit content, and themes of grief and loss.

Has Romance?

While the focus is primarily on the horror elements, there is a medium level of romance as it deals with the protagonist's past relationship and the significance of her sexual identity.

From The Publisher:

Sarah Crowe left Atlanta-and the remnants of a tumultuous relationship-to live in an old house in rural Rhode Island. Within its walls she discovers an unfinished manuscript written by the house's former tenant-an anthropologist obsessed with the ancient oak growing on a desolate corner of the property.

Tied to local legends of supernatural magic, as well as documented accidents and murders, the gnarled tree takes root in Sarah's imagination, prompting her to write her own account of its unsavory history.

And as the oak continues to possess her dreams and nearly almost all her waking thoughts, Sarah risks her health and her sanity to unearth a revelation planted centuries ago…

Ratings (5)

Incredible (1)
Loved It (4)

Reader Stats (16):

Read It (5)
Want To Read (9)
Not Interested (2)

1 comment(s)

Loved It
4 months

This amazing, creepy, densely atmospheric book works on so many levels for me. I love books that are about reading and writing, and whether either of those activities is dangerous or imparts responsibility. The more Sarah writes in her journal, the worse her situation gets, and she (and the reader) can't help wondering if one is feeding the other (but in what way? and in which direction?). The book is an ouroborous, endlessly looping back on itself with repeating images: the woman writer, the woman painter, the lost or hidden woman, locked doors, strange and narrow doors, the cycle of the seasons. Each of these things arises again and again in slightly different ways, and it is spooky as hell.

The book is also a maze of references to other writers and books - and Kiernan relies on those references as part of her meditation on reading and writing. Every book or author that the text brings to mind (Poe, Lovecraft, Henry James, etc) is mentioned in the text. At one point, Sarah and Constance discuss books about getting lost in order to discuss, without actually mentioning, their experience getting lost on the way to the red tree. Talking about the experience directly is too terrifying, so they skirt around it by talking about books about similar experiences.

Gah. Go read it right now, and prepare to have your mind blown.

 

About the Author:

Caitlin R. Kiernan is the author of nine novels, including Silk, Threshold, Low Red Moon, Murder of Angels, Daughter of Hounds, and The Red Tree. Her award-winning short fiction has been collected in six volumes, including Tales of Pain and…

 
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