
In 'The Lathe of Heaven', George Orr discovers that his dreams have the power to alter reality. Sent to a psychiatrist, Dr. Haber, George becomes the subject of an experiment where his dreams are manipulated to reshape the world. However, the unintended consequences of George's dreams lead to a series of ever-changing realities, challenging the fabric of existence itself. Ursula K. Le Guin masterfully delves into themes of power, self-destructiveness, and the nature of reality in this eerie and prescient science fiction novel set in a dystopian Portland, Oregon.
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Sensitive Topics/Content Warnings
Content warnings include themes of mental illness, manipulation, and implications of violence resulting from dream alterations.
From The Publisher:
A classic science fiction novel by Ursula K. Le Guin, one of the greatest writers of the genre, set in a future world where one man's dreams control the fate of humanity.
In a future world racked by violence and environmental catastrophes, George Orr wakes up one day to discover that his dreams have the ability to alter reality. He seeks help from Dr. William Haber, a psychiatrist who immediately grasps the power George wields. Soon George must preserve reality itself as Dr. Haber becomes adept at manipulating George's dreams for his own purposes.
The Lathe of Heaven is an eerily prescient novel from award-winning author Ursula K. Le Guin that masterfully addresses the dangers of power and humanity's self-destructiveness, questioning the nature of reality itself. It is a classic of the science fiction genre.
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1 comment(s)
This incredible book is a take on the utopia/dystopia genre that I've never seen before. Instead of imagining how one system of governance or culture would benefit or harm our world, Le Guin introduces a character - a completely neutral character, a man who tests as average on every personality test his psychiatrist can throw at him - whose dreams change reality. George Orr, the dreamer, ends up in Dr. Haber's office because he has been abusing drugs in an attempt to stop his dreams. However, Haber builds a machine that allows him to control George's dreams, and the book proceeds through versions of reality based on Haber's vision of a perfect world. To Haber, the means are nothing; it is only the ends that matter. Both he and Orr remember all of the realities they have gone through, and Orr feels that the means (reducing overpopulation with a great Plague that killed 6 billion people) do not justify the end.
Further, the end isn't something that one man, no matter how well-intentioned, should be in charge of. Le Guin urges us towards a view of progress as a social process - we get by with a little help from our friends. The means are the ends, and we are all in it together.
About the Author:
Ursula K. Le Guin (1929-2018) has published twenty-one novels, eleven volumes of short stories, four collections of essays, twelve books for children, six volumes of poetry, and four of translation, and has received the Hugo, Nebula, Endeavor, Locus, Tiptree, Sturgeon, PEN-Malamud, and National Book Award and the Pushcart and Janet Heidinger Kafka prizes, among others. In recent years she has received lifetime achievement awards from World Fantasy Awards, Los Angeles Times, Pacific Northwest Booksellers Association, and Willamette Writers, as well as the Science Fiction and Fantasy Writers of America Grand Master Award and the Library of Congress Living Legends award. Le Guin was the recipient of the Association for Library Service to Children's May Hill Arbuthnot Honor Lecture Award and the Margaret Edwards Award. Her recent publications include the novel Lavinia, Words Are My Matter, an essay collection, and Finding My Elegy, New and Selected Poems. Her website is UrsulaKLeGuin.com.
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