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Cathedral

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'Cathedral' by Raymond Carver is a short story that emphasizes the theme of not judging others based on appearances. Through the perspective of the narrator, the story explores the transformation of his views towards a blind man named Robert. Initially critical and judgmental, the narrator gradually learns to see beyond stereotypes and societal labels, leading to a personal epiphany about his own life and relationships. Carver's writing style offers a straightforward narrative in first person, providing insight into the narrator's evolving mindset and highlighting the themes of acceptance and self-reflection.

Characters:

Characters are realistic and flawed, each representing different aspects of human experience, especially in relationships.

Writing/Prose:

The writing style is minimalist, utilizing concise language and authentic dialogue to explore complex themes.

Plot/Storyline:

The plot revolves around a man's inner conflicts regarding his wife's blind friend, leading to surprising personal growth.

Setting:

The story primarily unfolds in a home environment, symbolizing the characters' emotional and relational barriers.

Pacing:

The pacing allows for a reflective exploration of characters, building tension until key transformations occur.
This friend of mine from work, Bud, he asked Fran and me to supper. I didn’t know his wife and he didn’t know Fran. That made us even. But Bud and I were friends. And I knew there was a little baby at...

Notes:

Raymond Carver is known as a master of the short story.
The narrator of 'Cathedral' is unnamed but often referred to as Al by readers.
The story highlights themes of jealousy and insecurity in relationships.
Carver's writing style is characterized by minimalism and emotional depth.
'Cathedral' was published in 1983 and is one of Carver's most famous stories.
The blind man in the story is named Robert and symbolizes perspective and understanding.
The narrator initially feels uncomfortable with Robert due to his blindness and his own insecurities.
Poetry is a theme in the story, particularly reflecting Al's distaste for it.
The blind man's relationship with the narrator's wife causes tension in their marriage.
The climactic moment occurs when the narrator closes his eyes to draw a cathedral with Robert's guidance.
The act of drawing symbolizes the narrator's personal growth and understanding of empathy.
Carver's characters often display deep emotional struggles, like alcoholism and failed marriages.

Sensitive Topics/Content Warnings

Content warnings may include discussions of alcoholism, depression, marital strife, and themes of loss.

From The Publisher:

Raymond Carver said it was possible 'to write about commonplace things and objects using commonplace but precise language and endow these things - a chair, a window curtain, a fork, a stone, a woman's earring - with immense, even startling power'. Nowhere is this alchemy more striking than in the title story of Cathedral in which a blind man guides the hand of a sighted man as together they draw the cathedral the blind man can never see. Many view this story, and indeed this collection, as a watershed in the maturing of Carver's work to a more confidently poetic style.

Ratings (10)

Incredible (5)
Loved It (4)
It Was OK (1)

Reader Stats (19):

Read It (10)
Want To Read (7)
Not Interested (2)

1 comment(s)

Incredible
6 months

Simply the best collection of short stories ever written. It makes you feel like the simplicity of life is the most interesting thing you could read about.

 

About the Author:

Raymond Carver was born in Clatskanie, Oregon, in 1938. His first short stories appeared in Esquire during Gordon Lish's tenure as fiction editor in the 1970s. Carver's work began to reach a wider audience with the 1976 publication of Will You Please be Quiet, Please, but it was not until the 1981 publication of What We Talk About When We Talk About Love under Gordon Lish, then at Knopf, that he began to achieve real literary fame. This collection was edited by more than 40 per cent before publication, and Carver dedicated it to his fellow writer and future wife, Tess Gallagher, with the promise that he would one day republish his stories at full length. He went on to write two more collections of stories, Cathedral and Elephant, which moved away from the earlier minimalist style into a new expansiveness, as well as several collections of poetry. He died in 1988, aged fifty.

 
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