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The Book of Illusions

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The Book of Illusions by Paul Auster follows the story of Vermont professor David Zimmer, who becomes a recluse and an alcoholic after losing his wife and two young sons in a plane crash. His life takes a turn when he discovers a lost film by silent comedian Hector Mann, who disappeared mysteriously in 1929. This discovery leads Zimmer on a journey around the world to research and write a book on Mann, ultimately receiving a letter claiming Mann is still alive. The book intertwines David's journey of grief and recovery with the mysterious life of Hector Mann, creating a multi-layered narrative with mounting tension and a final reveal in the closing pages.

Characters:

The characters are complex and troubled, with David Zimmer embodying grief and redemption, while Hector Mann represents the mysteries of art and life.

Writing/Prose:

The writing style is evocative and detailed, creating vivid imagery that engages readers, although it can at times feel overly elaborate.

Plot/Storyline:

The narrative revolves around David Zimmer, who, after losing his family, finds solace in the life of silent film star Hector Mann, prompting a journey that intertwines their stories.

Setting:

The settings range from Vermont to New Mexico, contextualizing the characters' journeys and the historical backdrop of silent cinema.

Pacing:

The pacing is mixed, featuring both slow, detailed sections and suspenseful developments that keep readers engaged.
EVERYONE THOUGHT HE was deade. When my book about his films was published in 1988, Hector Mann had not been heard from in almost sixty years. Except for a handful of historians and old-time movie buff...

Notes:

David Zimmer, the protagonist, is a professor who loses his family in a plane crash.
His grief leads him to discover silent films by Hector Mann, a forgotten comedian.
Mann mysteriously disappeared in 1929 after a brief but brilliant career.
David writes a book about Mann's films, which gains attention after its publication.
The book explores themes of grief, obsession, and redemption through the intertwined lives of David and Hector.
The narrative is presented in a way that blurs fiction and reality, creating an immersive experience for readers.
Descriptions of Hector's films are so vivid that some readers believed they were real.
Paul Auster is not only a novelist but also a director and actor, enhancing his storytelling finesse.
The title 'The Book of Illusions' reflects the various layers of deception and misperception within the story.
Characters in the book often reflect on the difference between life and the artificial worlds created in film.

Sensitive Topics/Content Warnings

Content warnings include themes of grief, loss of family, depression, and suicide contemplation.

Has Romance?

There are elements of romance in the story, particularly through the relationship between David Zimmer and Alma.

From The Publisher:

A NATIONAL BESTSELLER

A NEW YORK TIMES BOOK REVIEW NOTABLE BOOK

Six months after losing his wife and two young sons, Vermont Professor David Zimmer spends his waking hours mired in a blur of alcoholic grief and self-pity. One night, he stumbles upon a clip from a lost film by silent comedian Hector Mann. His interest is piqued, and he soon finds himself embarking on a journey around the world to research a book on this mysterious figure, who vanished from sight in 1929.

When the book is published the following year, a letter turns up in Zimmer's mailbox bearing a return address from a small town in New Mexico inviting him to meet Hector. Zimmer hesitates, until one night a strange woman appears on his doorstep and makes the decision for him, changing his life forever.

Ratings (5)

Loved It (2)
Liked It (2)
Hated It (1)

Reader Stats (8):

Read It (5)
Want To Read (2)
Not Interested (1)

1 comment(s)

Hated It
5 months

Ugh this book was ridiculous and laughable.

The main character is a pretentious narcissistic self-absorbed writer/professor. He experiences a tragedy and then supposedly falls into a grief so severe that during it he manages to publish a book of film criticism (ugh!) and get another sweet deal to publish a translation of some pretentious French writer (ugh!) (Chateaubriand). The entire time he moans and whines about how much he is SUFFERING. A man suffering for his art - this one. He supposedly misses his family, as they are the source of his grief, but they are rarely mentioned and we learn nothing about them. He has enough money to flit around in luxury from NY to DC to some isolated cabin in Vermont and do nothing but wallow and write and brag about how deep he is.

He watches some silent film from the 20s and laughs at some dude with a mustache, and decides to make finding out about this actor his new life's purpose. You know what's worse than reading a book of film criticism? Reading a book of fictional film criticism! He discovers a laughably unbelievable plot about his newfound actor friend, involving sordid love affairs, and accidental murders, and multiple guns, a bank robbery, prostitutes, and blah blah blah. The actor is just as pathetic, nihilistic, whiny self-absorbed jerk as the writer. Somehow throughout all of his suffering, the actor somehow manages to charm people and live a life of completely nihilistic luxury, making films in hiding in the desert with a staff full of people.

Women are not portrayed favorably in this book at all. They are all emotional idiots who are half crazy and give up their whole lives to be with and hop into bed immediately in awe at these narcissistic men.

Give me a break. Multiple times I rolled my eyes and laughed at this book. It put me to sleep multiple times. I almost quit it. It was so ridiculous that I kept going.

 

About the Author:

PAUL AUSTER is the bestselling author of Travels in the Scriptorium, Oracle Night, and Man in the Dark, among many other works. I Thought My Father Was God, the NPR National Story Project Anthology, which he edited, was also a national bestseller. His work has been translated into more than thirty-five languages. He lives in Brooklyn, New York.

 
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