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Assembly

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'Assembly' by Natasha Brown is a short but powerful exploration of systemic institutional structures and their impact on the self. The book follows a Black woman navigating the corporate world of finance in England, shedding light on the sacrifices and struggles she faces in her journey towards success. Through the protagonist's perspective, the narrative delves into themes of racism, sexism, privilege, and the weight of inherited wealth acquired through colonialism. The writing style is described as lyrical, poetic, and brutally blunt, with a unique structure of multiple narratives alternating to convey the protagonist's inner turmoil and societal observations.

Characters:

The narrator is a nuanced and discontented Black woman, surrounded by characters that often represent privilege and systemic issues, lacking sympathetic traits.

Writing/Prose:

The prose is described as lyrical and poetic, featuring a blend of narrative and artistic styles that some find abstract or pretentious.

Plot/Storyline:

The narrative follows a successful Black woman in the corporate arena, highlighting her struggles with systemic racism and sexism while examining personal and societal expectations.

Setting:

The setting encompasses the corporate world and upper-class homes in Britain, reflecting societal dynamics and contrasts.

Pacing:

While the novella is brief and can be read quickly, some reviewers felt the pacing was rushed, lacking depth in character development.
Stop what, he said, we’re not doing anything. She wanted to correct him. There was no we. There was he the subject and her the object, but he just told her look, there’s no point getting worked up ove...

Notes:

Assembly is a short literary fiction book by Natasha Brown.
The story is told from the perspective of a Black woman living in England.
The narrator is successful in the corporate world but feels joyless.
The book addresses themes of sexism, racism, and privilege.
Many readers compared it to Virginia Woolf's Mrs Dalloway and Rachel Cusk's Outline Trilogy.
It explores the impact of colonialism and the experiences of a woman of color in a dominant white society.
Some readers found it beautifully written but lacking in plot diversity.
The book has received mixed reviews, with some praising its message and others criticizing its style.
Natasha Brown's writing combines elements of poetry and narrative.
It reflects contemporary societal issues and offers a critique of the capitalist system.

Sensitive Topics/Content Warnings

Content warnings include themes of systemic racism, gender-based violence, and existential angst.

Has Romance?

There is a medium presence of romance, primarily through the narrator's interactions with her white boyfriend and the complexities these bring.

From The Publisher:

SHORTLISTED FOR THE FOLIO PRIZE 2022

SHORTLISTED FOR THE GOLDSMITHS PRIZE 2021

SHORTLISTED FOR THE BOOKS ARE MY BAG FICTION AWARD 2021

'Diamond-sharp, timely and urgent' Observer, Best Debuts of 2021

'Subtle, elegant, scorching' Vogue

'Virtuosic, exquisite, achingly unique' Guardian

'I'm full of the hope, on reading it, that this is the kind of book that doesn't just mark the moment things change, but also makes that change possible' Ali Smith

'Exquisite, daring, utterly captivating. A stunning new writer' Bernardine Evaristo

Come of age in the credit crunch. Be civil in a hostile environment. Step out into a world of Go Home vans. Go to Oxbridge, get an education, start a career. Do all the right things. Buy a flat. Buy art. Buy a sort of happiness. But above all, keep your head down. Keep quiet. And keep going.

The narrator of Assembly is a Black British woman. She is preparing to attend a lavish garden party at her boyfriend's family estate, set deep in the English countryside. At the same time, she is considering the carefully assembled pieces of herself. As the minutes tick down and the future beckons, she can't escape the question: is it time to take it all apart?

'One of the most talked-about debuts of the year . . . You'll read it in one sitting' Sunday Times Style

'Expertly crafted, remarkable, astonishing... A literary debut with flavours of Jordan Peele's Get Out' Bookseller, Editor's Choice

'Virginia Woolf's Mrs. Dalloway meets Citizen by Claudia Rankine... As breathtakingly graceful as it is mercilessly true' Olivia Sudjic

'Bold and original, with a cool intelligence, and so very truthful about the colonialist structure of British society' Diana Evans

'This marvel of a novel manages to say all there is to say about Britain today' Sabrina Mahfouz

Ratings (5)

Incredible (3)
Loved It (2)

Reader Stats (11):

Read It (5)
Currently Reading (1)
Want To Read (5)

2 comment(s)

Loved It
1 month

"Assembly" is a novel that shows the inner turmoil experienced by an unnamed black British woman living in modern day London as she navigates through a world that often sees her more as an object than as a person. Although the narrator has spent her life working hard to achieve a high level of personal and professional success, she constantly feels that heavy weight of oppression from living in a country that doesn't embrace her as well as being used to represent diversity as her job.

The narrator has a successful job working in finance and enjoys that lifestyle it provides her but finds herself disappointed and exhausted after receiving a surprise promotion. At work, she is objectified and sexualized to the point that she detaches from herself and is unemotional. In her personal life, she has a white boyfriend but views their relationship as just another step on the ladder to obtaining a higher social status. To me, the narrator secretly resents that while she has to go to work daily, since her boyfriend has generational wealth, he chooses not to work and instead plans for the future when he'll be taking over the family fortune.

Throughout this novel, there is the repeated theme that in order to belong to the majority culture, the minority culture must assimilate. Unbeknownst to most people, from an early age, most people of color are taught that there are invisible rules to follow in order to belong to the majority culture such as go to college, get a job, buy property, buy art, keep your head down, keep quiet, etc. After following these rules for years, at some point, the narrator is tired of assimilating and no longer has a real sense of who her true self is.

While this is a short novel at 102 pages, the author manages to provide that reader with insight

on the inner thoughts of being a black woman in the modern world as well as the mental toll that assimilation can have on a person. Although I am a black woman living in the United States and the narrator is a black woman living in Britain, this novel really resonated with me in reference of being an high achieving black woman who feels tired of following the the idea that no matter how much success one achieves in life, there will always be this feeling of that it success is a temporary aversion of failure. Through meditation and other self care practices, I am resolving these feelings of not being good enough. By the end of the book, the narrator has decided that after years of letting others dictate to her how she should live and what success should look like, she decides to take control of her destiny on her own terms.

 
Incredible
3 months

How do we examine the legacy of colonization when the basic facts of its construction are disputed in the minds of its beneficiaries?

How can we engage, discuss, even think through a post-colonial lens, when there’s no shared base of knowledge? When even the simplest accounting of events - as preserved in the country’s own archives- wobbles suspect as tin-foil-hat conspiracies in the minds of its educated citizens?

But what it takes to get there isn’t what you need once you’ve arrived.

I feel. Of course I do. I have emotions. But I try to consider events as if they're happening to someone else. Some other entity. There's the thinking, rationalizing I (me). And the doing, the experiencing, her. I look at her kindly. From a distance. To protect myself, I detach.

These directives: listen, be quiet, do this, don’t do that. When does it end? And where has it got me? More, and more of the same. I am everything they told me to become. Not enough. A physical destruction, now, to match the mental. Dissect, poison, destroy this new malignant part of me. But there’s always something else: the next demand, the next criticism. This endless complying, attaining, exceeding – why?

It’s evident now, obvious in retrospect as the proof of root-two’s irrationality, that these world superpowers are neither infallible, nor superior. They’re nothing, not without a brutally enforced relativity. An organized, systematic brutality that their soft and sagging children can scarcely stomach- won’t even acknowledge. Yet cling to as truth. There was never any absolute, no decree from God. Just vicious, random chance. And then, compounding.

Why subject myself to their reductive gaze? To this crushing objecthood. Why endure my own dehumanization?

Considering its short length, this is a razor-sharp reflection of what it means to navigate a predominantly white, imperialist culture as a black person. Racism is so embedded in our society and language that people turn a blind eye to the subtleties and how they add up to a brutal total. She talks about the ways that black bodies and the idea of diversity have been commodified to further the status quo. She talks about the erasure of black experiences and identity in the pursuit of “assimilation” aka disappearance; The way that black people are forced to be complicit in their own dehumanization. There were so many quotes that were so precise that I was in awe. Do yourself a favor and pick this up.

 
 
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