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Morte D'Urban

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'Morte D'Urban' by J.F. Powers follows the life of Father Urban, a priest in the fictitious Order of St. Clement, based in 1950s Chicago. After being transferred to a remote outpost in Duesterhaus, Minnesota, Father Urban initially struggles to adapt to the simple and unassuming life at St. Clement's Hill. However, as he immerses himself in the community and takes on pastoral duties, he begins to thrive and make a positive impact, showcasing his charisma and leadership skills. The story delves into Father Urban's relationships with fellow clergy, a wealthy benefactor named Billy Cosgrove, and various townspeople, revealing his complexities and the emotional depth of his character.

The narrative of 'Morte D'Urban' is characterized by dry wit and subtle humor as J.F. Powers skillfully satirizes elements of the Catholic Church, the priesthood, and small-town life. explores themes of ambition, faith, community, and the complexities of human relationships, offering a nuanced portrayal of Father Urban's journey of self-discovery and growth within the constraints of his religious calling.

Characters:

The characters are multi-dimensional and reflect various aspects of human nature, particularly in their relationships with Urban and one another.

Writing/Prose:

The writing style is characterized by clarity, humor, and a subtle effectiveness in character portrayal, with an ironic yet affectionate perspective on its subjects.

Plot/Storyline:

The plot follows Father Urban's journey from an ambitious priest to someone who embraces his role in a struggling community, reflecting a deeper spiritual awakening.

Setting:

The setting is a critical element, symbolizing both isolation and the struggle of adapting religious life to modern society.

Pacing:

The novel has a deliberate pace that facilitates character exploration and thematic depth, despite some disjointed narrative elements.
IT HAD BEEN a lucky day for the Order of St Clement the day Mr Billy Cosgrove entered the sacristy of a suburban church after Mass and shook the hand of Father Urban. Billy, a powerful-looking man in ...

Notes:

Father Urban is a priest in the fictitious Order of St Clement.
He travels extensively across the Midwest, preaching at missions.
Father Urban enjoys a luxurious lifestyle uncommon for priests.
He is transferred to a rundown retreat center in Duesterhaus, Minnesota.
The retreat center is largely ignored by the Order and lacks proper amenities.
Despite initial reluctance, Father Urban starts to make a positive impact at the retreat.
He builds relationships in the community and increases church attendance.
Urban maintains contact with a wealthy benefactor who supports the retreat.
The novel critiques the Catholic Church and its bureaucracy with dry wit.
Father Urban's character evolves from being arrogant to deserving admiration.
The book reflects the changes in American society post-World War II.
Father Urban faces challenges in balancing secular life with spiritual calling.
The novel subtly explores themes of alienation and human connection.
J.F. Powers won the National Book Award for this novel in 1963.
The narrative humor resembles the style of Evelyn Waugh.
Morte D'Urban is considered a classic of Catholic literature.

From The Publisher:

Winner of The 1963 National Book Award for Fiction.

The hero of J.F. Powers's comic masterpiece is Father Urban, a man of the cloth who is also a man of the world. Charming, with an expansive vision of the spiritual life and a high tolerance for moral ambiguity, Urban enjoys a national reputation as a speaker on the religious circuit and has big plans for the future. But then the provincial head of his dowdy religious order banishes him to a retreat house in the Minnesota hinterlands. Father Urban soon bounces back, carrying God's word with undaunted enthusiasm through the golf courses, fishing lodges, and backyard barbecues of his new turf. Yet even as he triumphs his tribulations mount, and in the end his greatest success proves a setback from which he cannot recover.

First published in 1962, Morte D'Urban has been praised by writers as various as Gore Vidal, William Gass, Mary Gordon, and Philip Roth. This beautifully observed, often hilarious tale of a most unlikely Knight of Faith is among the finest achievements of an author whose singular vision assures him a permanent place in American literature.

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