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Last Night at the Telegraph Club

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Who Would Like This Book:

If you love immersive historical fiction mixed with heartfelt coming-of-age stories, this book is a must-read! Malinda Lo brings 1950s San Francisco's Chinatown to life, complete with the joys and struggles of being both Chinese American and queer at a time when neither was easy. The writing is vivid and authentic, and the tender romance feels both sweet and real. This novel is perfect for YA fans, anyone interested in LGBTQ+ history, sapphic romance lovers, and readers who appreciate nuanced depictions of identity, family, and community. If you want more diverse perspectives in your historical fiction, you'll adore this.

Who May Not Like This Book:

The book's slower start and introspective pacing may not appeal to those who prefer fast-moving plots or action-driven stories. If you’re not a fan of historical settings or find it tough to read about discrimination, xenophobia, and period-accurate homophobia and racism - even when handled thoughtfully - this might not be your cup of tea. Some readers were also less drawn to the flashback chapters focused on Lily’s family, finding them less engaging than Lily's personal journey.

A beautifully written, thoughtful, and moving queer coming-of-age story that shines a light on a rarely told corner of American history. Highly recommended for those who want layered characters, captivating atmosphere, and a sweet vintage sapphic romance.

About:

"Last Night at the Telegraph Club" by Malinda Lo is a historical fiction novel set in 1950s San Francisco, focusing on the life of Lily Hu, a Chinese American girl navigating her identity and sexuality. Lily finds herself drawn to the underground lesbian community at the Telegraph Club, where she forms a deep connection with Kath. The book beautifully captures the complexities of Lily's experiences as she grapples with societal expectations, racism, and her burgeoning queer identity, all against the backdrop of the Red Scare and the Cold War era. Through vivid descriptions and intricate character development, the author paints a poignant coming-of-age story that delves into themes of love, acceptance, and self-discovery.

The narrative of "Last Night at the Telegraph Club" is richly layered with historical events and cultural nuances, providing readers with a compelling exploration of Lily's journey towards embracing her true self amidst a time of societal constraints and prejudices. Lo's writing style masterfully weaves together elements of romance, historical context, and personal growth, creating a captivating tale that immerses readers in the vibrant setting of 1950s San Francisco and the challenges faced by Lily as she navigates her identity in a world that seeks to confine her.

Characters:

The characters are complex and realistically portrayed, with a relatable protagonist and supporting cast that embody the challenges of identity and love in a repressive time.

Writing/Prose:

The writing style is characterized by rich, evocative descriptions and emotional depth, effectively blending historical context and personal narrative.

Plot/Storyline:

The plot centers on Lily, a Chinese American girl in the 1950s, navigating her burgeoning sexuality, cultural identity, and the challenges posed by her family and society during the Red Scare.

Setting:

The setting is 1950s San Francisco, offering a rich backdrop that informs the characters' experiences and struggles amid historical tensions.

Pacing:

The pacing begins slowly but grows engaging, maintaining reader interest as conflicts unfold.
It was Friday night in the middle of the dinner rush, and the Eastern Pearl was almost full, but Lily knew immediately who Shirley was talking about. The red paper lanterns hanging overhead shed a war...

Notes:

The novel is set in 1950s San Francisco's Chinatown.
It tells the story of Lily Hu, a young Chinese American girl discovering her sexuality.
Lily falls in love with her classmate Kath Miller, hitting on themes of first love and identity.
The story navigates the tension between Chinese American cultural expectations and LGBTQ identity.
Malinda Lo, the author, is a pioneer in queer Asian American literature and has previously written award-winning YA fantasy.
The book addresses historical issues like the Red Scare and McCarthyism, impacting Asian Americans' lives.
The Telegraph Club serves as a refuge for the LGBTQ community, showcasing the underground scene of the time.
Lo’s descriptions create vivid imagery of the 1950s setting, making it feel real and immersive.
The book incorporates Chinese language with translations, enhancing cultural authenticity.
It has received numerous accolades, including the National Book Award for Young People's Literature.

Sensitive Topics/Content Warnings

Content warnings include racism, microaggressions, usage of slurs, homophobia, and xenophobia.

Has Romance?

The novel features a strong romantic subplot between the two main characters.

From The Publisher:

"Proof of Malinda Lo's skill at creating darkly romantic tales of love in the face of danger."-O: The Oprah Magazine

"The queer romance we've been waiting for."-Ms. Magazine

"Restrained yet luscious."-Sarah Waters, bestselling author of Tipping the Velvet

A National Bestseller

Seventeen-year-old Lily Hu can't remember exactly when the feeling took root-that desire to look, to move closer, to touch. Whenever it started growing, it definitely bloomed the moment she and Kathleen Miller walked under the flashing neon sign of a lesbian bar called the Telegraph Club. Suddenly everything seemed possible.

But America in 1954 is not a safe place for two girls to fall in love, especially not in Chinatown. Red-Scare paranoia threatens everyone, including Chinese Americans like Lily. With deportation looming over her father-despite his hard-won citizenship-Lily and Kath risk everything to let their love see the light of day.

2019
417 pages

Ratings (70)

Incredible (14)
Loved It (35)
Liked It (14)
It Was OK (7)

Reader Stats (244):

Read It (75)
Currently Reading (3)
Want To Read (138)
Did Not Finish (4)
Not Interested (24)

5 comment(s)

Loved It
1 day

ok i’ve had my little cry, time to write all my thoughts at 1am after binging the last half in one sitting

if [b:Rubyfruit Jungle|165395|Rubyfruit Jungle|Rita Mae Brown|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1172341177l/165395._SY75_.jpg|3017660], [b:Oranges Are Not the Only Fruit|15055|Oranges Are Not the Only Fruit|Jeanette Winterson|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1267717580l/15055._SY75_.jpg|1411520], [b:Tipping the Velvet|25104465|Tipping the Velvet|Sarah Waters|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1425892206l/25104465._SY75_.jpg|1013794], etc. are Your Genre, here's something in that same vein for you, especially if you're itching for an own-voices chinese-american protagonist. but this most reminded me of spending time in [b:Tell the Wolves I'm Home|12875258|Tell the Wolves I'm Home|Carol Rifka Brunt|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1335450415l/12875258._SY75_.jpg|18028067]. on its face, i guess it also has a lot in common with CMBYN (gay coming-of-age romance in a Setting) or, like, evelyn hugo (lesbian couple in red scare america) but they're really not similar reads.

the good: beautiful, clean prose that goes down fast and easy. tight snack-sized chapters, just enough of a dopamine hit to make you think

one more and then i'll stop on every page break. lush food descriptions. san francisco in all its san francisconess. the thick fug of first love, matching in atmosphere and time period to

dirty dancing. (to me, at least, for some reason, but i probably have dirty dancing brainrot. regardless, i’ve had

cry to me stuck in my head for days.) lesbain coming-of-age story that feels true in even the tiniest details; painfully vicarious descriptions of erotic shame. A BUTCH LOVE INTEREST!!! finally, i can live the teenage dream that i was too busy passing out from insomnia to have. and, of course, the telegraph club.

the bad: 1) the weird disjointed flashbacks that didn’t do much but disrupt the flow of the novel, 2) the odd heavy-handed metaphor--like, heavy-handed as in the kind you use to teach high school freshman baby’s first critical reading skills, and 3)

the

fucking ending!!! i’m not one of those people that’s unilaterally opposed to epilogues, but i’m considering becoming one.

i consume my fair share of both stark, tragic queer media and feel-good sexuality-blind sapphic cartoons alike, i’m well-rounded, but this felt so…dissatisfyingly bleak. like, okay: hamlet ends the worst possible way, but it’s the only ending that could feed you. i didn’t feel fed by this ending.

to be fair, nobody dies. no bury your gays. nobody sleeps on the streets for the rest of their existence, nobody gets addicted to anything, it’s pre-HIV/AIDS. i knew we weren’t going to get a perfect, happy, 2022,

love, simon ending, and i didn’t want it, god no, but it’s the wrong genus of bittersweet. i knew that

last night was about a young chinese-american lesbian living under mcarthyism. i didn’t expect the family and community to rally around her and hang rainbow flags and flip san fran into the pride parade we know and love today. nor did i want that to happen. i thought it would end with everything shit—our young lovers disowned, no money or possessions, no diploma, futures as pilots and NASA mathematicians wiped—but that they would still be together. i did not anticipate the detente of a one year later. i understand the quiet tragedy and even historical realism of a forced separation without a goodbye, but i don't feel it was properly set up or executed.

i also thought that we would get some more time for resolution of other plot points—shirley, her dad’s papers, the out of place bits about her dad’s and aunt’s ptsd, the end of high school, etc. it felt like the ending was less deliberate than the rest of the novel, like the author was running up to the character limit. i won't write the whole novel off for it's last 10%, obviously, but it does spin a sour retrospective that the rube-goldberg i had spent the entire novel in giddy anticipation of never got switched on.

the ugly: okay i was reading this ok ebook and i somehow skipped forward from the 40% mark to the 70% mark without realizing, and i didn’t realize until i was three chapters in. sigh. can’t believe i did that.

 
Loved It
5 months

Lovely and meaningful story about self-discovery and defying society’s expectations that celebrates LGBTQ identities, especially lesbians 🏳️‍🌈. Loved it.

 
Loved It
6 months

Excellent f/f romance set in the mid-century. Will be a particular hit with American readers and especially those from San Francisco. Just the sort of coming of age story I love.

 
It Was OK
1 year

****3.5***

I picked up this book because

1) The Title was catchy.

2) The Cover was amazing.

3) This book fits for one of my yearly challenge.

Lily Hu is a American-Chinese girl in 1950’s living in San Francisco Chinatown. A very turbulent time for Chinese people in America as American government suspecting every Chinese to be a Communist. Lily is a very ambitious girl with a good head on her neck. She is studious and not interested in boys, marriage or kids. Lily has a dream of working for space. Soon Lily is drawn to another girl Kath in school who shares similar interests as herself. And romance blooms between them which is all new to Lily. Kath introduces Lily to Telegraph club, a bar where people like them can be themselves while world outside is not at all friendly towards the homosexuals. The story twists and turns after a raid at the Telegraph Club and Lily’s life turns upside down.

A very well researched book but the thing that fascinated me was effortless writing. I was into the story from the first line. Just slipped in. I liked the characters but I feel Kath’s character was a bit dreamlike, nothing concrete, just floating kind. I would have liked more of Kath and her emotions.

The plot was slow almost till 70% of the book nothing major happens. And after 70% there is a massive overflow of emotions, drama etc.

It was a very enjoyable read if I overlook the slow paced execution. A really easy to get in romance story.

Happy Reading!!

 
Loved It
1 year

A beautiful historical sapphic romance. I loved it so much but it did make me very sad because I know my mother would react the same way and I hate her for it.

 

About the Author:

Malinda Lo is the bestselling and critically acclaimed author of several novels, including Last Night at the Telegraph Club, which received eight starred reviews. Her debut, Ash, a lesbian retelling of Cinderella, was a finalist for the William C. Morris Award,…

 
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