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The Life and Opinions of the Tomcat Murr

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The Life and Opinions of the Tomcat Murr by E.T.A. Hoffmann is a unique narrative that intertwines the autobiographical account of the well-educated cat Tomcat Murr with the biography of composer Johannes Kreisler due to a printer's error. The book is described as postmodern, reminiscent of Tristram Shandy, with a plot that seamlessly alternates between the two distinct stories, creating a blend of satire, fabulism, and farce. The writing style is noted for its erudite and academic tone, filled with cultural references, and a mix of humor and serious themes.

Characters:

The characters include the conceited Tomcat Murr, the eccentric musician Johannes Kreisler, and the engaging Master Abraham, who links both narratives.

Writing/Prose:

The writing style combines wit and satire with a playful, absurd tone, utilizing cultural references in a postmodern narrative.

Plot/Storyline:

The plot features interwoven narratives of a self-aware cat's adventures and a musician's troubled life, marked by abrupt shifts and a lack of resolution.

Setting:

The setting is an absurd German princedom, providing a whimsical backdrop for the intertwining comedic and gothic narratives.

Pacing:

The pacing is uneven and fragmented, requiring patience and frequent re-reading for a coherent understanding.

Notes:

ETA Hoffmann is known for inspiring the story of The Nutcracker.
He was not only a writer but also a composer and wrote an opera called Undine.
Hoffmann lived a life full of accomplishments, despite dying at 46.
His humor combines the macabre with satire, influencing many famous authors.
The Life and Opinions of the Tomcat Murr is considered his masterpiece but was unfinished at his death.
The book features a cat named Murr who believes he is an intellectual and a genius.
Murr's narrative is interspersed with the story of an eccentric musician named Johannes Kreisler.
The tales are loosely connected through the character Master Abraham, who plays a key role in Kreisler's story.
The novel combines elements of comedy, tragedy, and farce while transitioning between two narratives.
Hoffmann satirizes German society, including academia and aristocracy, throughout the book.
Murr learns to read and write, claiming to have an understanding of literature and philosophy.
The writing reflects a modernist style and is packed with cultural references, making it complex for some readers.
It's not just a cat story; it has deep themes of romance, intrigue, and darker humor through Kreisler's experiences.
The book makes fun of the small German principalities and their pretentiousness.
Hoffmann's work demands a well-educated audience due to its numerous allusions to various fields like music and philosophy.
The narrative switches often, requiring patience and engagement from the reader.
Murr parodies the Bildungsroman genre by detailing his satirical view of life experiences.
The book represents an early postmodern narrative with its storytelling techniques and mixed formats.
Hoffmann added 'Amadeus' to his name out of admiration for Mozart, showcasing his musical obsession.

Has Romance?

There are romantic elements present, particularly in Kreisler's story, which intertwines with themes of love and relationships.

From The Publisher:

Tomcat Murr is a loveable, self-taught animal who has written his own autobiography. But a printer's error causes his story to be accidentally mixed and spliced with a book about the composer Johannes Kreisler. As the two versions break off and alternate at dramatic moments, two wildly different characters emerge from the confusion - Murr, the confident scholar, lover, carouser and brawler, and the moody, hypochondriac genius Kreisler. In his exuberant and bizarre novel, Hoffmann brilliantly evokes the fantastic, the ridiculous and the sublime within the humdrum bustle of daily life, making The Life and Opinions of the Tomcat Murr (1820-22) one of the funniest and strangest novels of the nineteenth century.

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1 comment(s)

Loved It
7 months

Should anyone be audacious enough to think of casting doubt on the sterling worth of this remarkable book, let him reflect that he is dealing with a tomcat possessed of intellect, understanding, and sharp claws.

How delightfully whimsical!

I think it's fair to say that

The Life and Opinions of the Tomcat Murr is unlike anything I've read. The premise is wacky, and Hoffmann commits.

And he was (mostly) successful. The Tomcat Murr sections of the story are one of my favorite things I've read all year. Hoffman, clearly a fellow cat person, perfectly captures the attitude an educated cat would have: Murr is arrogant and vain and impossible not to love. While his adventures aren't particularly fantastic, his voice is filled with personality and wonderfully captivating.

I was less enamored by the "waste paper" sections centered around Kreisler. Initially I was incredibly confused by what was happening—I'm still not sure if these sections were in chronological order?—and never particularly found myself attached to any of these characters, eccentric though they may be and as fairy-tale-esque as their story was. As it progressed, though, it certainly grew on me, and by the end I was fairly well caught up in the various intrigue and romance plots. (Also, Prince Ignatious was a surprising character to come across. He seems to have some type of intellectual disability, which isn't something I've seen represented in literature from this time period.) And then it just kind of…ends? After doing some googling it seems like Hoffman left this unfinished as he'd planned to write a third book. Presumably, then, he intended to wrap up most of these plot threads, but it's still somewhat unsatisfying that none of the waste paper characters find closure.

I'm sure there's much more depth to this novel in terms of satire, social commentary, philosophy, etc. that went entirely over my head. I, as a casual reader, can only say that I found it a lighthearted, enjoyable little novel that I wish had been completed.

Some favorite passages:

First I purred, then I discovered that inimitable talent of waving my tail in the most graceful of coils, and then the wonderful gift of expressing joy, pain, delight and rapture, terror and despair, in short, all feelings and passions in their every nuance with the single little word, ‘Miaow’. What is human speech compared to this simplest of all simple means of making oneself understood?

At last, one day when the Master was out, I overcame my fear and jumped up on the desk. With what voluptuous pleasure did I sit among the books and papers, burrowing about in them! It was not mischief, no, it was pure desire, it was scholarly voracity that led me to catch up a manuscript in my paws and buffet it this way and that until it lay before me torn to bits.

…even as I write this there blazes above my head that wondrous constellation which shines into my soul and out of my soul again in true affinity – yes, I feel the glowing, burning ray of the long-tailed comet on my brow – yes, I myself am the glowing comet, the celestial meteor passing prophetically in great glory through the world.

So saying, the Master went running about the room with the speed and liveliness of a young man, wound up the machinery and arranged the magic mirrors. In every corner, devices came to life: automatons strutted about, turning their heads, and an artificial cockerel beat his wings and crowed, while screeching parrots flew circling around them,…

Can there be any more comfortable condition than to be wholly satisfied with oneself? I purred!

 
 
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