
In "Lexicon" by Max Barry, the story revolves around a secret organization that has discovered how to manipulate people using personality segments and words. This manipulation has significant implications for spreading good or evil, blurring the lines between intentions and outcomes. The narrative follows the journeys of two main characters, Wil and Emily, who find themselves entangled in this world of linguistic control, suspense, and uncertainty. The plot moves back and forth in time, adding to the intrigue and complexity of the story.
The book delves into the power of words as literal weapons, exploring a world where certain syllables can control people and where language can be used to hack the human brain. As the characters navigate through this underworld of linguistic manipulation, readers are drawn into a fast-paced narrative filled with suspense, mystery, and engaging characters.
Genres:
Tropes/Plot Devices:
Topics:
Notes:
Sensitive Topics/Content Warnings
The novel contains themes of violence, manipulation, psychological trauma, and intense moments that may be distressing to some readers.
Has Romance?
While there is a significant romantic subplot, the story primarily focuses on action and broader themes of power and control.
From The Publisher:
"About as close you can get to the perfect cerebral thriller: searingly smart, ridiculously funny, and fast as hell. Lexicon reads like Elmore Leonard high out of his mind on Snow Crash." -Lev Grossman, New York Times bestselling author of The Magicians and The Magician King
"Best thing I've read in a long time . . . a masterpiece." -Hugh Howey, New York Times bestselling author of Wool
Stick and stones break bones. Words kill.
They recruited Emily Ruff from the streets. They said it was because she's good with words.
They'll live to regret it.
They said Wil Parke survived something he shouldn't have. But he doesn't remember.
Now they're after him and he doesn't know why.
There's a word, they say. A word that kills.
And they want it back . . .
Ratings (25)
Incredible (6) | |
Loved It (7) | |
Liked It (6) | |
It Was OK (5) | |
Did Not Like (1) |
Reader Stats (70):
Read It (26) | |
Want To Read (35) | |
Did Not Finish (1) | |
Not Interested (8) |
3 comment(s)
Lexicon is the rare book that I found both completely unpredictable and intensely thrilling. I’d call it a page-turner, but I listened to the audiobook version, so instead I’ll tell you that I was so enthralled that I spent the several hours just sitting on my couch listening so that I could finish it. That’s also rare – normally I only listen to audiobooks while I’m doing something else (dishes, chores, exercise, driving, etc.) – so I’d definitely call it a mark in Lexicon’s favor.
Fans of Lev Grossman’s The Magicians will find much to enjoy here. Like that book, Lexicon tells the story of a school for talented youngsters that involves far more sinister and heartbreaking developments than ever graced the pages of Harry Potter. However, where The Magicians passes through pitch-black satire into chilling horror, Lexicon is equal parts paranoid “wrong man” thriller and cracked coming-of-age story, with constantly shifting motivations and alliances that hammer the fact that trust is a liability.
In Lexicon’s world, language is a technology indistinguishable from magic, and the right words make it possible to control anyone as long as you know their psychological profile. A society of “poets” founded on these principles collects words of power and trains recruits in the art of persuasion at an exclusive private school. In the outside world, this society’s activities extend from brute force mental takeovers of susceptible civilians to more subtle campaigns of influence embedded in advertising or political websites.
The book jumps between two primary story lines: the kidnapping, by poets, of Will Park, a middle-mannered man who is an “outlier” unaffected by their words of power, and the recruitment, schooling and eventual downfall of a seventeen-year-old con artist named Emily Ruff who joins the poets to escape her life on the street. At first, the connection between these story-lines isn’t entirely clear, and in fact they almost feel like entirely different books. Will is living in a paranoid thriller while Emily comes of age in a young adult novel with the occasional dark moment.
However, the genius of Lexicon is the way Barry doles out revelations and slowly but surely pulls the rug out from under you. It isn’t long before the connection between Will and Emily’s stories starts to become clear, and you begin to wonder if Barry is actually doing what it seems like he is doing. Barry seems to delight in undermining expectations, and it’s oftentimes hard to know who to root for when so many of the characters take part in despicable events. Even still, I found myself drawn into their stories, wondering if my worst fears or dearest hopes might come true. I wasn’t entirely sure how the book might resolve itself until the very last moments, but that resolution didn’t feel any less earned because of it.
There is the occasional minor plot hole, and one character’s stated motivations don’t completely make sense in the end, but none of that detracted from my enjoyment. Lexicon was an absolutely thrilling read, and I can’t recommend it enough.
The funniest thing about Barry is that when I read Jennifer Government many years ago, I didn’t particularly like it. However, I’ve read two more of his books this year (Company was the other), and thoroughly enjoyed both. I suppose it just goes to show that you can’t always judge an author by a single book. I’ll definitely be checking out his other books soon.
Programación neurolingüística, sociedades secretas, conspiraciones, traiciones, canguros...
Parece que el libro lo tiene todo y aún así ha conseguido dejarme frío. El mayor problema que tiene está causado por su propio sistema de ¿magia?, que obliga a los personajes a parecer patatas que se mueven y hablan. Por si acaso eso no era suficiente, también tiene problemas con el ritmo, resolviendo situaciones demasiado apresuradamente para mi gusto.
the kind of book where i will inevitably end up googling "books like lexicon" when i'm desperate to feel the same way i felt when i read it.
it's not fine literature. there are parts where the plot was meh. but it made me think and feel some kind of way regardless and that's really all i ask of a book
About the Author:
Max Barry is the author of numerous novels, including Company, Machine Man, and Lexicon. He is also the developer of the online nation simulation game NationStates. Prior to his writing career, Barry worked at tech giant HP. He lives in Melbourne, Australia, with his wife…
When you click the Amazon link and make a purchase, we may receive a small commision, at no cost to you.