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I'm Thinking of Ending Things

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'I'm Thinking of Ending Things' by Iain Reid follows a young woman on a road trip with her boyfriend to meet his parents, contemplating ending their relationship. As the journey progresses, unsettling events unfold, including mysterious phone calls from her own number and a sense of foreboding. The narrative builds tension through eerie moments and a creeping feeling that something terrible is on the horizon, reminiscent of classic horror elements.

Reid's writing style in this psychological thriller is described as atmospheric, disturbing, and mind-bending. The story keeps readers engaged with unexpected twists and a sense of unease that lingers throughout the book. The author skillfully weaves a plot that blurs the lines between reality and perception, leading to an ending that leaves readers questioning what is real and what is imagined.

Characters:

The characters, particularly the unnamed narrator and Jake, are crafted to evoke unease, with their quirks and interactions amplifying the unsettling tone.

Writing/Prose:

Iain Reid employs a stream-of-consciousness narrative, blending philosophical musings with awkward character dialogue to create an unsettling atmosphere.

Plot/Storyline:

The plot follows an unsettling road trip where the narrator considers ending her relationship with Jake, culminating in strange occurrences that lead to a shocking revelation.

Setting:

The wintry, remote settings enhance the story's eerie atmosphere, making the reader feel a sense of claustrophobia and dread.

Pacing:

The pacing starts slowly with philosophical musings before accelerating into a chaotic and tense climax, keeping readers engaged.
The road is mostly empty. It’s quiet around here. Vacant. More so than anticipated. So much to see but not many people, not many buildings or houses. Sky. Trees. Fields. Fences. The road and its grave...

Notes:

The book is primarily about a woman contemplating breaking up with her boyfriend, Jake, while they drive to meet his parents on a remote farm.
The plot unfolds during a car ride, dinner at Jake's parent's house, and an unsettling detour to an empty high school during a snowstorm.
The narrative style is characterized by the unnamed narrator's stream of consciousness, revealing her thoughts and memories.
There are mysterious phone calls to the narrator from someone using her own number, heightening the tension throughout the story.
The story features recurring themes of mental illness and existential dread, with the ending revealing a shocking twist regarding Jake's reality.
Readers often feel both disturbed and confused by the unpredictable nature of the plot and characters, prompting multiple reads for clarity.
The book is known for its eerie atmosphere, with little explicit horror but a pervasive sense of unease.
The ending invites readers to re-examine the entire narrative from a different perspective, enhancing its literary depth.
The book has received mixed reviews, with some praising it as a masterpiece and others critiquing its ambiguity and perceived pretentiousness.
The novel was adapted into a film directed by Charlie Kaufman, which diverges from the source material but retains similar themes.

Sensitive Topics/Content Warnings

Content warnings for the book include themes of mental illness, suicide, and disturbing imagery, which may be triggering for some readers.

From The Publisher:

Now a Netflix original movie, this deeply scary and intensely unnerving novel follows a couple in the midst of a twisted unraveling of the darkest unease. You will be scared. But you won't know why…

I'm thinking of ending things. Once this thought arrives, it stays. It sticks. It lingers. It's always there. Always.

Jake once said, "Sometimes a thought is closer to truth, to reality, than an action. You can say anything, you can do anything, but you can't fake a thought."

And here's what I'm thinking: I don't want to be here.

In this smart and intense literary suspense novel, Iain Reid explores the depths of the human psyche, questioning consciousness, free will, the value of relationships, fear, and the limitations of solitude. Reminiscent of Jose Saramago's early work, Michel Faber's cult classic Under the Skin, and Lionel Shriver's We Need to Talk about Kevin, "your dread and unease will mount with every passing page" (Entertainment Weekly) of this edgy, haunting debut. Tense, gripping, and atmospheric, I'm Thinking of Ending Things pulls you in from the very first page…and never lets you go.

Ratings (129)

Incredible (16)
Loved It (40)
Liked It (34)
It Was OK (27)
Did Not Like (7)
Hated It (5)

Reader Stats (345):

Read It (133)
Currently Reading (1)
Want To Read (173)
Did Not Finish (4)
Not Interested (34)

3 comment(s)

Did Not Like
3 months

I didn’t really like the book. It was a very good idea but I felt it was a lot of boring thoughts about mundane topics. I thought the plot was going nowhere. The ending put everything together but the lead up to that point was just painful.

 
It Was OK
4 months

I'm not sure if I have ever said this before; but I thought the movie was better than the book.


The book spelled things out for the reader, leaving less to the imagination. With the movie, I had a hunch of what was going on, but some stuff was uncertain, so I wasn't sure, which I like, it is more to think about. After reading the book, I now know my hunch was correct, but I really preferred not being spoon fed like in the book. I prefer a challenge over everything just being confirmed in the end. This may sound weird too; the movie is probably better if you don't read the book first.

 
It Was OK
4 months

Trippy

The suspense definitely builds and by the end, it’s like “What the heck did I just read?!” I thought it started a bit slow, but that honestly helped the tension set in subtly. It’s worth a read for sure.

 

About the Author:

Iain Reid is the author of two critically acclaimed, award-winning books of nonfiction. His internationally bestselling debut novel, I'm Thinking of Ending Things, has been published in more than twenty countries. Oscar-winner Charlie Kaufman is writing and directing a film based on the novel, which Reid will co-produce. His second novel, Foe, was an instant bestseller and feature film rights have been acquired by Anonymous Content, with Reid set to executive produce. Follow him on Twitter @Reid_Iain.

 
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