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The Cancer Journals

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The Cancer Journals by Audre Lorde is a profound exploration of the author's personal battle with breast cancer, offering insights into her struggles with illness, treatment, and life post-treatment. Lorde's unique perspective as a Black, Lesbian, and Feminist individual allows her to analyze disease, pain, and social positionality in reference to her cancer diagnosis. The book delves into the societal constructs of femininity and body image, particularly in relation to women's bodies, and challenges traditional norms and expectations surrounding breast cancer treatment.

The Cancer Journals also serves as a wake-up call for readers to prioritize self-care and self-love during challenging and life-altering experiences. Lorde's writing style is described as superb, with a focus on personal observations and revelations that offer a deep and introspective look into her journey with cancer. Despite some readers finding the book lacking in details regarding relationships and coherence, it is praised for its thought-provoking content and Lorde's ability to articulate the complexities of illness and identity.

Writing/Prose:

The writing is introspective and poetic, offering a raw and candid look at the author's experiences and feelings during her illness.

Plot/Storyline:

The narrative focuses on the personal battle with cancer, intertwining body image, identity, and societal pressures, particularly regarding women.

Setting:

The setting is primarily in the late 1970s, focusing on hospital and home environments as the author navigates treatment.

Pacing:

The pacing is moderate, allowing for deep emotional reflection and discussions on societal implications, but can be slow at times.
I would like to preface my remarks on the transformation of silence into language and action with a poem. The title of it is “A Song for Many Movements” and this reading is dedicated to Winnie Mandela...

Notes:

Audre Lorde chose not to wear a prosthesis after her mastectomy, highlighting societal pressures on women regarding body image.
She faced criticism from doctors for her decision, illustrating the stigma surrounding natural bodies post-surgery.
The book reflects on women's experiences with cancer in the 1970s, a time when hospital stays after surgery were longer than today.
Lord's writing explores not only her personal battle with cancer but also her identity as a Black lesbian feminist.
The text dives into the idea that losing parts of the body like breasts can make women feel inadequate, linking body image to femininity.
Overall, the book serves as a powerful commentary on the intersections of gender, race, and illness.
The Cancer Journals has remained relevant in discussions of feminism and cancer treatment nearly 50 years later.
Readers often find her narrative to be a wake-up call to self-care during difficult times.
The book is a personal reflection rather than a traditional survivor story, emphasizing the chaos of illness.
Many readers feel that the book resonates with anyone facing health challenges or caring for someone who is.

Sensitive Topics/Content Warnings

Triggers or content warnings include discussions of cancer, illness, body mutilation, grief, and potential negative reflections on the medical system.

From The Publisher:

Literary Nonfiction. Memoir. African American Studies. LGBT Studies. Moving between journal entry, memoir, and exposition, Audre Lorde fuses the personal and political as she reflects on her experience coping with breast cancer and a radical mastectomy. Includes photos and tributes to Lorde written after her death in 1992.

"Grief, terror, courage, the passion for survival and for more than survival, are here in the searchings of a great poet." Adrienne Rich

"This book teaches me that with one breast or none, I am still me." Alice Walker.

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About the Author:

Audre Lorde (1934-1992) wrote eighteen books of essays and poetry, for which she won numerous awards, including the American Book Award for A Burst of Light. She received a Masters of Library Science from Columbia University. After working several years as a librarian, she became a professor of English?first at John Jay College and later at Hunter College.

 
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