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20th Century Ghosts

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'20th Century Ghosts' by Joe Hill is a collection of short stories that range from horror to mainstream to the surreal. The stories feature disturbing and scary elements, often more by suggestion than outright gore. The settings are everyday and normal, adding to the overall disturbing atmosphere. Some stand-out stories include one about an autistic child creating mysterious mazes and another about a young boy who is an inflatable doll. Hill's writing style is described as varied, character-centered, and haunting, with each story presenting its own universe.

Characters:

Characters in the collection are diverse and relatable, often facing unique personal struggles that complement the stories' themes of otherness and alienation.

Writing/Prose:

The writing style combines straightforwardness with poetic descriptions, allowing readers to engage deeply while interpreting subtleties.

Plot/Storyline:

The plot features a mix of horror and supernatural with some stories not fitting into these categories, offering a diverse reading experience. However, some narratives may feel incomplete.

Setting:

Settings often blend modern environments with surreal elements, enhancing emotional depth and nostalgia throughout the narratives.

Pacing:

The pacing varies across stories, with some moving quickly while others feel more drawn out or abruptly concluded, which can impact overall reading satisfaction.

Notes:

Joe Hill is Stephen King's son, and he has inherited his father's writing talent.
20th Century Ghosts is a collection of short stories that mix genres, including horror, surrealism, and fantasy.
The stories often explore themes of childhood, isolation, and otherness.
Each story has its own unique style, with some being touching and others being creepy.
One of the standout stories is 'Pop Art,' which tells a poignant tale of friendship with an inflatable boy.
'Best New Horror' is about an editor searching for a mysterious author, blending meta-narrative with horror tropes.
'20th Century Ghost' involves a ghost haunting a movie theater, and it is more nostalgic than terrifying.
Many stories feature protagonists who are neurodivergent or face personal challenges, adding depth to the characters.
The endings of some stories are intentionally ambiguous, leaving readers to fill in the blanks.
The book is well-received for its literary merit, appealing to both horror fans and those who enjoy more introspective tales.

Sensitive Topics/Content Warnings

Content warnings include themes of death, body horror, childhood trauma, and brief instances of violence.

From The Publisher:

This e-short story from the New York Times bestselling author of NOS4A2 and Horns now features an excerpt from Joe Hill’s novel The Fireman. Imogene is young and beautiful.

She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . . Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town.

. . . Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . . John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children.

In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .

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Want To Read (13)
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