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The Wreath

Book 1 in the series:Kristin Lavransdatter

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'The Wreath' in the series 'Kristin Lavransdatter' by Sigrid Undset is a historical fiction trilogy set in medieval Scandinavia, particularly in Norway during the 14th century. The story revolves around Kristin Lavransdatter, a woman from a farming background, and her life journey, including her relationships, daily life on manor farms, and the challenges she faces during the medieval period. The writing style is described as immersive, beautiful, and detailed, providing insight into the daily life, work, and societal norms of that era.

Characters:

Characters are richly developed, particularly Kristin, whose personality and decisions drive the narrative amidst complex social expectations.

Writing/Prose:

The prose combines lyrical beauty with detailed historical accuracy, emphasizing character development over plot-driven action.

Plot/Storyline:

The narrative centers on Kristin, a strong-willed woman, navigating her life and relationships in medieval Norway, reflecting on love, choices, and family.

Setting:

Set in 14th century Norway, the backdrop vividly portrays medieval life, social conventions, and cultural practices.

Pacing:

The pacing is deliberate and slow, enhancing the depth of character exploration and societal context.

Notes:

The Wreath is the first book in the Kristin Lavransdatter trilogy by Sigrid Undset.
Sigrid Undset won the Nobel Prize for Literature in 1928 for her work, including this trilogy.
The trilogy is set in 14th century Norway and follows the life of a strong female protagonist named Kristin.
Kristin Lavransdatter explores themes of family, love, faith, and societal norms of the medieval period.
The translation by Tiina Nunnally is highly praised for its clarity and lyrical beauty.
This epic historical novel delves deeply into daily life and cultural practices of medieval Norway, including women's roles, such as beer making.
Despite its age, the story of Kristin's struggles feels relatable to modern readers.
The trilogy spans more than a thousand pages and covers Kristin's life from childhood to death.
The series has been noted for its vivid descriptions and rich historical detail.
The narrative is character-driven, focusing on personal choices and their consequences, rather than action-driven plots.

Sensitive Topics/Content Warnings

Content warnings for The Wreath include themes of family struggles, societal pressures, and death, especially considering the historical context.

Has Romance?

There is a significant romantic element in The Wreath, as it revolves around Kristin's relationship choices.

From The Publisher:

'I don't think I could ever love a man so dearly that I would go against my parents' will for his sake.' Set in fourteenth-century Norway, The Wreathbegins the life story of Kristin Lavransdatter.

Starting with Kristin's childhood and continuing through her romance with Erlend Nikulausson, a dangerously charming and impetuous man, Sigrid Undset re-creates the historical backdrop in vivid detail, immersing readers in the day-to-day life, Social conventions, and political undercurrents of the period.

But the story she tells is a modern one, brought to life with clarity and lyrical beauty in this remarkable translation by Tiina Nunnally. Defying her parents and stubbornly pursuing her own happiness, Kristin emerges as a woman who loves with power and passion.

'A masterpiece . . . writing in a prose as vigorous, articulate and naturalistic as the novel it re-creates, Tiina Nunnally brilliantly captures a world both remote and strangely familiar.' -PEN/Book-of-the-Month Club Translation Prize citation

Ratings (5)

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Loved It (3)
Liked It (1)

Reader Stats (25):

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2 comment(s)

Loved It
1 month

I found the book to be very well written and easy to read even tough it's a classic from 1920's. It's a compelling story set in 1300 and it's was quite enjoyable.

 
Loved It
7 months

Kristin was like something he had believed to be pure gold, but when he saw it up close, it was merely brass and tin.

In

The Wreath, a historical bildungsroman, Kristin Lavransdatter joins a long line of literary women—from Anna Karenina and Madame Bovary to Catherine Earnshaw and Mrs. de Winter—who make a series of absolutely terrible relationship decisions. She seemingly lacks all common sense and refuses to listen to the very good advice the other women (and men) in her life give her, and I can’t imagine that the next installment in this trilogy will be a happy one for Kristin. Erlend is almost a cliche, and Kristin is a fool for not seeing it when presented with such evidence as Eline…though it seems like, too late, the truth may be beginning to dawn on her.

Frustrating as Kristin is, she mostly makes for an interesting character (though she feels a bit simplistic in the beginning), and I do feel for her, especially given that she’s an extremely sheltered teenager never given the opportunity to process the traumatic things she experiences. There’s also double standard that their culture has when it comes to purity, with characters simultaneously horrified that Kristin may no longer be a maiden while accepting that it’s no surprise Erlend has had prior relationships—while his actions are still seen as shameful, they do not completely destroy his reputation in the way that Kristin risks. In fact, as a whole the insight into fourteenth-century Norwegian culture, both good and bad, is fascinating.

Undset clearly understands that Kristin is deeply flawed, as especially highlighted when the story shifts to Ranfrid or Lavran. Both of them are more complex characters, and therefore more intriguing. They truly want what’s best for their daughter, though Kristin doesn’t see it. Lavrans recognizes that the two of them are not a good match (

She is placid and compliant in temperament. One of the reasons that I bore in mind when I opposed the marriage was this: that Erlend has shown a certain imprudence in several areas. Had she been a domineering, bold, and headstrong woman, then the situation would have been quite different.”

)—his unwillingness to bless the marriage is borne out of love, not a patriarchal need to control. I feel absolutely terrible for both of them, who endure so much heartbreak and pain—but Ragnfrid in particular, who has lost so many children and who’s long felt unloved by her husband and now like she’s failed as a mother.

The novel itself feels a bit too much like a YA romance, both in plot and writing style, for my taste. That said, while the prose is nothing special, it’s easy reading with a handful of quite dramatic scenes, with Undset clearly thoughtful in her development of character and treatment of complex issues. I’ll definitely be reading on, though I think I’ll take a break between books.

Some favorite passages:

Directly opposite her, on the south wall of the nave, stood a picture that glowed as if it had been made from nothing but glittering gemstones. The multicolored specks of light on the wall came from rays emanating from the picture itself; she and the monk were standing in the midst of its radiance. Her hands were red, as if she had dipped them in wine; the monk’s face seemed to be completely gilded, and from his dark cowl the colors of the picture were dimly reflected. She gave him a questioning glance, but he merely nodded and smiled. It was like standing at a great distance and looking into heaven. Behind a lattice of black lines she began to distinguish, little by little, the Lord Jesus himself, wearing the costliest red cloak; the Virgin Mary in robes as blue as the sky; and the holy men and maidens in gleaming yellow and green and violet attire. They stood beneath the arches and pillars of illuminated houses surrounded by intertwining branches and twigs with extraordinary, bright leaves.

Dragons and all other creatures that serve the Devil only seem big as long as we harbor fear within ourselves. But if a person seeks God with such earnestness and desire that he enters into His power, then the power of the Devil at once suffers such a great defeat that his instruments become small and impotent. Dragons and evil spirits shrink until they are no bigger than goblins and cats and crows.

No one and nothing can harm us, child, except what we fear and love.”

“There is no one, Kristin, who does not love and fear God. But it’s because our hearts are divided between love for God and fear of the Devil, and love for this world and this flesh, that we are miserable in life and death.

For if a man knew no yearning for God and God’s being, then he would thrive in Hell, and we alone would not understand that he had found his heart’s desire. Then the fire would not burn him if he did not long for coolness, and he would not feel the pain of the serpent’s bite if he did not long for peace.

“God help you, Ragnfrid Ivarsdatter,” said Sira Eirik, shaking his head. “You want nothing more from all your prayers and fasting than to force your will on God. Does it surprise you, then, that it has accomplished so little good?”

It fell like a terrible burden upon her when she realized for the first time that people could have such different opinions about so many things. And not just evil, godless people disagreeing with good people, but also good people such as Brother Edvin and Sira Eirik—or her mother and father. She suddenly realized that they too thought differently about many things.

Outside, the courtyard was white and black in the moonlight. Ragnfrid accompanied them through the farmyard down to the gate near the cabbage garden. Kristin saw the thin silhouette of her mother leaning against the fence nearby. The child shook dew from the large, ice-cold cabbage leaves and from the folds of the lady’s-mantle into her father’s silver goblet.

“It’s good when you don’t dare do something that doesn’t seem right,” said Fru Aashild with a little laugh. “But it’s not so good if you think something isn’t right because you don’t dare do it.”

Sira Eirik himself said that they caused no one any harm, and as for Fru Aashild’s witchcraft, he was not her parish priest. It could be that the woman knew more than was good for the health of her soul—and yet one should not forget that ignorant people often spoke of witchcraft as soon as a woman showed herself to be wiser than the councilmen.

“We’ve always known, both you and I, that it would be futile for us to fall in love with each other.”

She saw the world as if in a vision: a dark room into which a beam of sunlight fell, with dust motes tumbling in and out, from darkness to light, and she felt that now she had finally moved into the sunbeam.

In the noonday sun there was a hot, spicy fragrance of dill and celery, onions and roses, southernwood and wallflowers.

And occasionally in church, and at other times as well, she would feel a fervent yearning to become part of it all, this community with God. It had always been part of her life, and now she stood outside with her unconfessed sin.

And if you think you are as good as married to this man, why don’t you wear the linen wimple instead of going around bareheaded among the young maidens, with whom you have so little in common now?

I wouldn’t care if they called me a paramour, if only I could be called his.”

She whimpered silently in fear at the inconstancy of her own heart and at the transitory nature of all things.

She felt no repentance, but she consoled herself with the thought that the day would come when she would have to pay dearly for everything they had taken in secret.

A door from the parlatory opened onto the herb garden, which lay beyond the buildings on the west side of the convent. The nun unlocked the door, and they stepped out into a fog so dense that they could see only a few steps in front of them amidst the trees. The closest trunks were black as coal; beads of moisture clung to every branch and twig. Small patches of new snow were melting on the wet soil, but beneath the bushes tiny white and yellow lilies had already sprouted flowers, and it smelled fresh and cool from the violet-grass.

He has lured you away from the counsel of all your kinsmen. Have you thought about what kind of husband you’ll have if you marry a man who took another man’s wife as his mistress? And now he wants to take as his wife another man’s betrothed.”

And she felt that now they were truly one flesh; she would have to answer for everything he did, even when she disliked his conduct, and she would feel it on her own hand when Erlend so much as scratched his skin.

“Don’t you see, Kristin? Sins like this ... God may forgive such sins more readily than many others, but they damage a lineage so severely that it can never be redeemed.

“You and I, Ragnfrid, we have observed all the fast days and have tried to live by God’s commandments in all things. And now it almost seems to me ... that we might have been happier if we had had more to regret.”

Ragnfrid crossed her thin arms over her withered breasts. Yes, God help her. What kind of woman was she? What kind of mother was she? She would soon be old. And yet she was just the same. She no longer begged the way she had when they were young, when she had threatened and raged against this man who closed himself off, shy and modest, when she grew ardent—who turned cold when she wanted to give him more than his husband’s right. That’s the way things were, and that’s how she had gotten with child, time after time—humiliated, furious with shame because she couldn’t be content with his lukewarm, married man’s love.

She had loved her children so much that it felt as though her heart were cut out of her each time she lost one of them.

On this moonlit night the whole world was white. Wave after wave of white mountains arched beneath the bluish, washed-out sky with few stars. Even the shadows cast across the snowy surfaces by rounded summits and crests seemed strangely light and airy, for the moon was sailing so high.

“Do you think he’ll treat you any better than he did me?” Eline continued.

At night the northern lights flickered and sputtered above the mountain ridges to the north; they flickered over half the sky, but they didn’t bring a change in the weather.

“Jesus Christus, little Kristin, are you so unhappy?” “I think I’m going to die from it, Father,” she said against his chest. She burst into tears. But she was crying because she had felt in his caress and seen in his eyes that now he was so worn out with anguish that he could no longer hold on to his opposition. She had won.

“I have often prayed that you might have a yearning for the convent life,” said Brother Edvin, “but not since you told me what you know. I wish that you could have come to God with your wreath, Kristin.”

A short way into the mountains west of the valley, there was a place with great white stones that were shaped like the secret parts of human beings, and some men had fallen to sacrificing boars and cats before this monstrosity.

“I’m thinking about all the people we have hurt so that we could live to see this day,” said Kristin, shivering.

The time will come soon enough when the two of you will have to pay for everything that you’ve taken—have no fear of that.”

“He wanted me and I wanted him, you wanted him and he wanted you,” said Eline. “I had to pay, and he must pay, and you must pay when your time comes. When the sin is consummated it will give birth to death.”

Kristin felt as though everything was so unfamiliar at home, and she had lost all sense of time; the hours and the images flowed around each other, oddly disconnected.

Lavrans slammed his fist against the lower timber of the outhouse. “I put you here to suffer ridicule and shame, you timber. I put you here so the muck would devour you. I put you here as punishment because you struck down my pretty little maiden. I should have put you above the door of my loft and honored and thanked you with decorative carvings because you saved her from shame and from sorrow—for you caused my Ulvhild to die an innocent child.”

Lavrans, who now seemed more clearheaded, replied, gasping, “Don’t you see? He now has complete power over her; this man who could never restrain himself. She will find it difficult to oppose anything that her husband wishes—and if she is forced to do so one day, then it will torment her bitterly, that gentle child of mine.

He had simply wanted to live with her without her always trying to seize what was in his heart—and what he refused to reveal.

His chest felt empty and hollow, like a man whose heart and lungs had been ripped out through his back.

 

About the Author:

Sigrid Undset (1882-1949) was a Norwegian novelist. Born in Denmark, Undset moved with her family to Norway at the age of two. Raised in Oslo, Undset was on track to attend university before her father's death derailed the family's economic stability. At 16, Undset started working as a secretary for an engineering firm while writing and studying on the side. After a voluminous novel set in the Nordic Middle Ages failed to find a publisher, Undset made her literary debut at 25 with Fru Marta Oulie, a short realist novel about a middle-class Norwegian woman. Over the next decade, she published at a prodigious rate, earning a reputation as a rising star in Norwegian literature with such novels as Jenny (1911) and Vaaren (1914). This success allowed her to quit her job as a secretary in order to dedicate herself to her writing. Shaken by the First World War, however, Undset converted to Catholicism and began to shift away from realism toward spiritual and moral themes. Between 1920 and 1922, she published her magnum opus Kristin Lavransdatter, a trilogy set in Norway in the Middle Ages that secured her the 1928 Nobel Prize in Literature. A longtime critic of Adolph Hitler, Undset was forced to flee Norway following the Nazi invasion in 1940. She made her way via Sweden to the United States, where she lived for the remainder of the war. Undset returned to Norway in 1945, spending her final years in Lillehammer.

The New York Times called Catherine Marshall America's most inspirational writer. Catherine Marshall, New York Times Best-Selling author, is best known for her novel Christy. Based on the life of her mother, a teacher of mountain children in poverty-stricken Tennessee, the story of Christy captured the hearts of millions and became a popular CBS television series. Christy's impact is seen in the hundreds of individuals who became teachers in underserved communities after reading the novel. Her powerful second novel, Julie, is set in the 1930s in a Pennsylvania steel mill town prone to flooding. Danger increases as Julie and her father challenge the treatment of immigrant workers by steel mill owners in a town whose very existence depends on the strength of the dam controlled by them. Catherine first heard Dr. Peter Marshall preach as a student at Agnes Scott College. They were married after her graduation in 1936. Dr. Peter Marshall, the endearing Scottish preacher, was one of America's best-known preachers and also served as Chaplain of the United States Senate. In 1940, their son, Peter John, was born. From 1943-45, Catherine struggled with the ravages of tuberculosis, for which there was no known cure at the time. Confined to her bed, she spent hours reading, studying Scripture, and journaling, which nurtured her later writing career. Catherine was only 35 at the time of Dr. Marshall's sudden death in 1949. With a nine-year-old son to support, Catherine initially earned a living by compiling and editing her husband's sermons and then writing A Man Called Peter, the national bestseller about her husband that was published in 1951. The 20th Century Fox movie version in 1955 became an immediate box office hit and was nominated for an Academy Award. In her nonfiction work, To Live Again, she explored some of the more challenging aspects of being widowed at a young age, single parenting, earning a living, and dealing with grief. The transparency of her writing about her own life and circumstances catapulted her non-fiction writing career to new heights and earned her the title of America's most inspirational writer. In 1959, a decade after Dr. Marshall's untimely death, Catherine married Leonard LeSourd, Executive Editor of Guideposts. Author and editor, this dynamic team collaborated often at Evergreen Farm on Christy and Julie and many other books. She also inherited a ready-made second family with Leonard's children, Linda, Chester and Jeff, ages 10, 6, and 3. Both Christy and Julie took nearly a decade to complete. Vivid descriptions, complex characters, and page-turning plots in these novels were enhanced by full-throttled and frequent discussions between Catherine and Len. They also worked together on many of her inspirational non-fiction books including Something More, The Helper, Beyond Ourselves, Adventures in Prayer, and her autobiography Meeting God at Every Turn. This writer-editor duo combined forces with John and Tibby Sherrill in 1974 as partners in the publishing company Chosen Books. A beloved inspirational writer and speaker, Catherine Marshall LeSourd's enduring career spanned four decades, six continents, and reached over 30 million readers.

J. S. Scott, prolífica autora de novelas románticas eróticas, es una de las escritoras con más éxito del género y ha ocupado los primeros puestos en las listas de libros más vendidos de The New York Times y USA Today. Aunque disfruta con la lectura de todo tipo de literatura, a la hora de escribir se inclina por su temática favorita: historias eróticas de romance, tanto contemporáneas como de ambientación paranormal. En la mayoría de sus novelas el protagonista es un macho alfa y todas tienen un final feliz, seguramente porque la autora no concibe terminarlas de otra manera. Vive en las hermosas Montañas Rocosas con su esposo y dos pastores alemanes muy mimados.Entre sus obras destaca la serie "Los Sinclair", de la que forma parte la presente novela.

 
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